Camila Essay

For up to 20 points of extra credit — view the film CamilaLinks to an external site. and write an extended essay (1,000-1,200 words) that reviews Divining Slavery and Freedom and puts it into dialogue with the film as different ways to analyze the “post-colonial blues” of post-independence Latin America, including (but not limited to) such themes as church-state relations, patriarchy, governmental authority, and transculturation. Here is a useful guideDownload Here is a useful guide on how to analyze a film for historic purposes. 

 

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https://www.nytimes.com/1985/03/15/movies/screen-camila-story-of-love-in-argentina.html#:~:text=IN%201847%2C%20when%20Argentina%20was%20under%20the%20dictatorship,Camila%27s%2C%20but%20who%20was%20also%20a%20Jesuit%20priest.

 

https://en.wikipedia.org/wiki/Camila_O%27Gorman

 

https://worldhistorycommons.org/camila-ogorman

 

https://www.historyireland.com/camila-ogorman-a-rose-among-the-thorns/

 

 

 

The Five Criteria for a Book Review

Adapted from a guide Dr. Jeffrey Needell adapted from an academic journal’s book review guidelines.

Academic book reviews are not simple analyses of whether a book is “good,” “bad,” or what the reviewer would have written with the same sources. Nor should book reviews be simple summaries. Rather, reviewers weigh a work of history in terms of the author’s intent, their successes, and failures according to the historical discipline’s criteria. These criteria can be summarized thusly:

 

  1. The author’s purpose: what did the work’s author intend and how successful was the author in fulfilling that intention? If your assignment calls for reviewing several authors in regard to a particular subject, how useful was the author’s work in terms of the subject?

 

  1. The author’s sources: did the author make good use of adequate sources? To support your conclusion in this regard, please list the types of sources the author used (such a list might be as follows: a broad range of secondary sources, correspondence, periodical accounts from the time, memoirs of participants, contemporary government reports, vital records). The issue of an adequate source has to do with sources that make sense in terms of what the historian is arguing; if, for example, they are writing about the intentions of policymakers or of enslaved individuals, they should have correspondence from those policymakers or memoirs or oral history or police records reflecting the ideas of the enslaved. We want the historian to have gotten as close to the events and participants as the available evidence will allow. That is why we tend to prefer primary sources to secondary sources. Generally, a primary source is one close to the reality at issue, such as contemporary official documents, publications, and correspondence, or eye-witness or participant accounts. Generally, a secondary source is an analysis and/or narrative based on primary sources, such as a study written after the events took place by a non-participant, such as a scholarly monograph or article. For example, what you will generally be reading as you pursue your subject are secondary sources.

 

  1. The author’s bias:did the author’s inevitable prejudices clearly distort the account and analysis, or did the author successfully present a reasonably balanced work of scholarship? This is a controversial area in academic circles today, because few believe objectivity is possible. However, most practicing historians believe it is important to approximate objectivity through a dispassionate, reasoned argument and analysis based on primary-source evidence and a careful sifting of secondary sources. We tend to criticize colleagues who fail in this regard. Bias might be thought of in two different forms: bias by omission (in which the historian through poor research fails to examine all the evidence relevant to the issue) and bias by commission (in which the historian attempts to sway the reader by presenting evidence which only supports their position, or by presenting evidence from various points of view but in a way which favors their position, or, again, by reaching conclusions based on their position without regard to evidence to the contrary). Often, a poor historian will mingle the two. Many historians believe that a historian who makes their personal position obvious but nonetheless clearly tries to present the evidence in a balanced fashion cannot be said to have failed; others continue to maintain that the tone and presentation of the historian should suggest a dispassionate, non-partisan approach. Your task is to decide if you can detect one or more biases on the part of the historian and if the bias in question has undermined the credibility of the historian’s work.

 

  1. The author’s contribution:What use is the work? Does it provide readers with something important and new in either findings or interpretations? If your assignment calls for you to read a number of works dealing with the same topic, you may see that over time one author’s work tends to be basic and others merely use it, without adding anything to our understanding. Ideally, each historian is supposed to become proficient in what has been done by other historians before them and add something new, so that, depending upon when one wrote, one added something that was not there before (although it may then become something well known afterward). Thus, if you are reading a number of works on the same subject, your task is to compare the works you have been reading in terms of when they were published to establish who is bringing something new to us and who is simply repeating established material. Note that someone can use previously known material (in terms of research and information) to achieve a new analysis by thinking about the old material in a new way; this, too, is a contribution. If your assignment focuses on a subject, you should also address the issue of what the author does for your specific research interest (if anything).

 

  1. The author’s failings and the direction for future research:What might be done by the author or another historian to fill the obvious gaps, take the next logical step in the argument, or rectify failings in the work? Here you must not only make an assessment of what is poorly done or incomplete about what the historian set out to do, but you must also suggest what the solution to his/her problem might be. For example, if a historian of a war writes their account from the point of view of only one of the participants, using archives from only that country, you might note the problem and suggest archival research in the other country. Another historian might write up an analysis of an urban revolt on the part of the poor, using police and newspaper records, but neglect to analyze the policies which provoked the revolt in terms of what the policymakers hoped to accomplish and how they perceived the poor before and after the violence. Such an account fails to address fully the issue of why the revolt took place and what its repercussions might be, because we understand only what the poor did (and, perhaps, something about how they perceived their situation) but we do not understand the larger context in which the revolt took place, without which we cannot ponder its historical meaning and legacy. There may also be cases in which you think that the work is without obvious failings. In these cases, it would be best for you to suggest what the next step in research might be to take advantage of such an achievement and move our understanding along further. In this case, try to suggest

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